by Colin Thomas | Nov 24, 2023 | Review
Just a simple family meal with a frog (Photo by Augusto Meza) I’m grateful to every artist who takes on climate change and there are striking elements in Pippa Mackie’s script. Overall, though, Hurricane Mona is a mostly unfunny comedy and its structure sucks. That...
by Colin Thomas | Nov 17, 2023 | Review
(Photo of Melissa Oei and Tom McBeath by Javier Sotres) There’s a knock on the door. How else could it start? In Henrik Ibsen’s 1879 script A Doll’s House, Nora, the heroine, leaves her suffocating marriage, her husband Torvald, her three young children, and her...
by Colin Thomas | Nov 10, 2023 | Review
Can’t get enough of this guy: Andrew McNee as Buddy (Costume by Christine Reimer, photo by David Cooper) This might sound weird but Andrew McNee is playing Buddy the elf in this production and, when I was watching him, I had a sudden — glorious — flash of his...
by Colin Thomas | Nov 4, 2023 | Review
Don’t make me cry, you two, I’m going to rust. (Photo of Preston Wilder and Camryn Macdonald by Canna Zhou) I’ve seen The Wizard of Oz approximately one million times, so there weren’t a lot of surprises for me in this CTORA Theatre production. But CTORA...
by Colin Thomas | Nov 3, 2023 | Review
Kerën Burkett and Alisha Davidson deliver solid performances. (Photo: Kimberly Ho) Playwright Trey Anthony’s How Black Mothers Say I Love You is about the experiences of three Black women — four if you count the ghost. More specifically, it’s about immigration. I’m a...
by Colin Thomas | Oct 27, 2023 | Review
Gosh. So many great things. Assembly Hall, the latest creation from choreographer Crystal Pite and playwright Jonathon Young, is so narratively eccentric it will resonant in different ways for every person who sees it. Let me tell you a bit about what it meant to me....
