by Colin Thomas | Feb 25, 2023 | Review
The Woman in Black is a good ol’ yarn and I am for that. On one level, Stephen Mallatratt’s script, which he adapted from Dame Susan Hill’s novel, is a straight-up ghost story — and it scared the bejeezus out of me a couple of times. (Fellow critic Jo Ledingham, who...
by Colin Thomas | Feb 19, 2023 | Review
Although it contains things to admire, this production of Teenage Dick feels too much like an afterschool special or not great theatre for young people. Teenage Dick is playwright Mike Lew’s reimagining of Shakespeare’s Richard III as a high school drama....
by Colin Thomas | Feb 18, 2023 | Review
Corey Payette’s new musical Starwalker is going to be meaningful to a lot of different people for a lot of different reasons. And there’s significant talent on the stage. I don’t mean to deny any of that when I say that, from a craft perspective, especially the craft...
by Colin Thomas | Feb 12, 2023 | Review
Watching a tender kids’ show is a very pleasant way to spend 45 minutes on a Sunday morning. Writer Anaïs Pellin started her process with Clementine: A (True) Story during a workshop in Belgium, where she’s from. (Pellin is now based in Vancouver.) The workshop was...
by Colin Thomas | Feb 10, 2023 | Review
Not to take anything away from the actors or anybody else, the real stars of this premiere stage production of The Cull are director Mindy Parfitt and set designer Amir Ofek. Their treatment of Michelle Riml and Michael St. John Smith’s script elevates it...
