by Colin Thomas | Nov 27, 2020 | Review
Conceptually, it’s cool and sometimes it’s pretty, but it’s not substantial. Created in 2018, Pathetic Fallacy emerged from core creator Anita Rochon’s determination to share her theatre work internationally without flying all over the place and contributing to...
by Colin Thomas | Nov 26, 2020 | Review
Christmas is coming, we’re in the middle of a pandemic, theatres in BC have been hit especially hard, and I don’t want to look like an asshole. But, if I’m going to be honest, there’s no way to avoid saying this: The Twelve Dates of Christmas is a waste of time. The...
by Colin Thomas | Nov 22, 2020 | Review
I’ve never posted an emergency review before, but here it is. You’ve got to see do you want what i have got? a craigslist cantata and your last chance is today at noon. Here’s where to book your tickets for the livestream. Based on real-life Craigslist ads and...
by Colin Thomas | Nov 21, 2020 | Review
The Red Priest (Eight Ways to Say Goodbye) is a smart script and, in this United Players production, it’s being performed by smart actors. Playwright Mieko Ouchi’s text is about a fictional relationship between Italian composer Antonio Vivaldi and the wife of one of...
by Colin Thomas | Nov 14, 2020 | Review
Michele Riml’s script is a screwball comedy. But director Mindy Parfitt’s production is lacking a screwball: Amy Rutherford is miscast. The Amaryllis is about the sometimes comically fucked up relationship between adult siblings Lucy and Jeremy. Lucy is...
