THE LITTLE MERMAID: THE BIG SUCCESS

THE LITTLE MERMAID: THE BIG SUCCESS

  There you go. This is what we want from Theatre Under the Stars: an embraceable musical gorgeously produced. Unlike Sister Act, the other offering from TUTS this summer, The Little Mermaid has a score full of lyrically and rhythmically engaging songs, and a...
SISTER ACT: LIPSTICK ON A NUN

SISTER ACT: LIPSTICK ON A NUN

The music in Sister Act is a generic mix of disco, soul, and gospel, and the book is so thin you can see through it but, in this production for Theatre Under the Stars, director Peter Jorgensen has done an excellent job of shining up this inferior material. The 2006...
THE PLAY THAT GOES WRONG: ALL THINGS ARE RELATIVE

THE PLAY THAT GOES WRONG: ALL THINGS ARE RELATIVE

A big part of my job in this review will be to draw a line between my experience of this production and the experience I think you’ll be likely to have if you see it. The second part of that equation is simple: The Play That Goes Wrong is a farce and it’s being...
MACBETH: FAMILIAR CORRUPTION, RECONIZABLE TYRANNY

MACBETH: FAMILIAR CORRUPTION, RECONIZABLE TYRANNY

Corruption, ambition, willingness to cause and collude in suffering and death: Macbeth resonates. What sins are Trump, Musk, Bezos, Zuckerberg et al willing to commit to feed their appetites for money and power? What are the rest of us supposed to do with our...
THE MERRY WIVES OF WINDSOR: A HIT, A PALPABLE HIT

THE MERRY WIVES OF WINDSOR: A HIT, A PALPABLE HIT

The Merry Wives of Windsor is a very silly play, so I didn’t have high expectations going into this production. But Bruce Horak and director Rebecca Northan have exploded the text, substantially reinventing it and making the silliness about AI influencers,...