by Colin Thomas | Nov 24, 2024 | Review
East Van Panto: Robin Hood is not the best East Van Panto ever, but it’s still fun and it’s still a win. Jivesh Parasram and Christine Quintana wrote the script, as they did last year. In their story, Robin Hood is a little critter who lives with his band of...
by Colin Thomas | Nov 23, 2024 | Review
Well, that was a journey. In Act 1, I admired the performances but was so uninterested in the storytelling that I wrote in my notebook, “Why am I here?” But, by the emotional climax of Act 2, tears were streaming down my face and, when they stopped, I felt cleansed....
by Colin Thomas | Nov 17, 2024 | Review
Playwright Adam Rapp’s The Sound Inside is an ambitious, literate mystery. For me, it’s about art and reality, loneliness and responsibility. But one of the beauties of the play is that it will be interpreted differently depending on what individual audience members...
by Colin Thomas | Nov 15, 2024 | Review
In The Hobbit, novelist JRR Tolkein creates a textured, credible, and high-stakes fantasy world, but all of that is missing in Kim Selody’s stage adaptation and there’s not much to replace it. Just two actors perform the whole thing. Tim Carlson’s core character — and...
by Colin Thomas | Nov 9, 2024 | Review
There’s nothing there. I’m not talking about Antarctica; I’m talking about Aidan Dooley’s script for his solo show Tom Crean – Discovering Antarctica. It’s not as though the actual history isn’t rich; a lot happened. Tom Crean, an Irish sailor in the English...
