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SANDSPRITE: TWO ACTS, NO AND YES

SANDSPRITE: TWO ACTS, NO AND YES

I’m a 74-year-old gay man, so many of the terms of Peter Zednik’s new play Sandsprite are familiar to me. Sandsprite is about the potential rekindling of a romance between two old gay men. Although they were lovers in small-town Ontario when they were 16, Si has spent...

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JORDAN: GRATITUDE

JORDAN: GRATITUDE

I have nothing but gratitude for Geordie Theatre’s production of playwright Yvette Nolan’s Jordan. Not too far into this performance, I asked myself if I’d be happy about my grandchildren, especially the Indigenous ones, attending this production, and the answer was...

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EPIGONE: THE PLEASURES OF DISRUPTED REALITY

EPIGONE: THE PLEASURES OF DISRUPTED REALITY

I loved being in it. Kevin Kerr’s play is so unpredictable — narratively and stylistically — I never knew what was going to happen. And, working with the show’s designers, director Jonathon Young’s mounting of the piece is so immersive that watching it is like being...

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NUNCRACKERS: FIZZLES

NUNCRACKERS: FIZZLES

The material is irredeemably weak. Let’s zoom out for a minute. Nunsense, the musical revue that has spawned six sequels, including Nuncrackers, this Christmas-season variation, is thin at best. In Nunsense, a small group of nuns from the Little Sisters of Hoboken...

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MARY JANE: EVERYWOMAN

MARY JANE: EVERYWOMAN

Despite its subject matter, which might sound daunting, Mary Jane is not depressing. In fact, it’s often very funny. It’s so ambitious that it will open you up as a human being. And Mitch and Murray Productions’ presentation of the script does a superb job of...

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BIG STUFF: YEP

BIG STUFF: YEP

This show is bigger than it looks and exactly as big as it feels. The set-up for Big Stuff is straightforward. Married comedians Matt Baram and Naomi Snieckus tell us that, with the death of the last of their parents, they’ve found themselves with a lot of things....

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