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AN INTERVENTION: This Show Needs One

AN INTERVENTION: This Show Needs One

For me, sitting through this mounting of Mike Bartlett’s An Intervention was an endurance test. I started checking my watch half an hour into its 80-minute running time, and my chair got very hard. My primary beef is with the script, but I also suspect the direction...

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JADE CIRCLE: Lovely, Incomplete

JADE CIRCLE: Lovely, Incomplete

Playwright and performer Jasmine Chen’s Jade Circle is a delicate, stylish, sometimes resonant piece of work that could use more concrete storytelling. Jade Circle is about reclaiming the language of one’s origin. In Chen’s autobiographical script, she shares the...

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SUNRISE BETTIES: Blood will have blood

SUNRISE BETTIES: Blood will have blood

Writing about Sunrise Betties is depressing, not because of the content, which includes drug dealing, police corruption, and a ridiculous amount of gore — but because it’s all such a mindless waste of time. In Cheyenne Rouleau’s new script, which is set in the...

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CHILD-ISH: Effervescence

CHILD-ISH: Effervescence

I love this show, everything about it. And I strongly encourage you to see it. For CHILD-ish, Toronto playwright Sunny Drake interviewed 41 kids over a period of years. He also invited the kids to interview one another. And they interviewed him. The result is an...

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JULIET: A REVENGE COMEDY — Got Me

JULIET: A REVENGE COMEDY — Got Me

By the end of Juliet, A Revenge Comedy, I was completely into it.   In the script, which was written by Ryan Gladstone and Pippa Mackie, Juliet from Romeo and Juliet finds herself in a kind of Shakespearean Groundhog Day: she keeps falling in love, losing her...

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CHOIR BOY: But Not Story Boy

CHOIR BOY: But Not Story Boy

The music is sublime. Sublime. But, especially as it’s presented in this production, the script is not. When Choir Boy started, with Andrew Broderick, who plays the central character, Pharus, singing a cappella, and then, when he was joined, in perfect harmony, by...

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