by Colin Thomas | Mar 22, 2025 | Review
Catherine Léger’s Home Deliveries is about sex as possession, which is how she frames monogamy. Based on the 1970s movie, Deux femmes en or, an erotic comedy, Home Deliveries follows Florence and Violet, heterosexually married women who live next to each other in an...
by Colin Thomas | Mar 14, 2025 | Review
A bunch of Lauren Yee’s Cambodian Rock Band didn’t work for me, but I’m glad to see the Arts Club producing it. Yee’s script is a light-hearted and sentimental fantasy — with surfer rock songs — about the still-reverberating tremors of the Khmer Rouge’s reign of...
by Colin Thomas | Feb 22, 2025 | Review
Primary Trust won last year’s Pulitzer Prize for Drama, but it’s not that good. A character named Kenneth is both the narrator and protagonist of Eboni Booth’s script. Orphaned in particularly traumatic circumstances when he was ten, Kenneth has invented an imaginary...
by Colin Thomas | Feb 14, 2025 | Review
Style is a tricky thing. There’s a bunch of it in playwright Frances Koncan’s Women of the Fur Trade, but director Donna Spencer and her cast don’t always know what to do with it. In Women of the Fur Trade, it’s “eighteen hundred and something something” and we’re...
by Colin Thomas | Dec 1, 2024 | Review
Perhaps the kindest way to start is to say that, artistically, Miracle on 34th Street is a tough sell in 2024. (And the realistic way to start is to say that this Arts Club production fails to sell it.) Miracle on 34th Street is thin, sentimental, and painfully...
