It probably says something regarding American postsecondary education that Eric Jaffe interviewed 65 men about their college experiences and failed to come up with a single fascinating anecdote for his Fringe show. Throughout the hour, Jaffe makes vague reference to...

About halfway through Al Lafrance’s I Think I’m Dead, I wrote in my notebook: “Things are happening. And he’s talking really fast. But nothing matters.” Then Lafrance turned it around. Big time. In this autobiographical solo, Lafrance covers a lot of ground: the...

Like a modern romance, this show feels like it’s making up its own rules as it goes along—and that’s a beautiful thing. In Poly Queer Love Ballad, Gaby (Sara Vickruck) and Nina (Anais West) fall in love with one another—but Nina is bi and poly and Gaby is “the...

Jan and Peg would like to remind you that this is nota cult. "Not a cult!" the hostesses burble, as they prepare for the Supperware party we've been invited to. (Supperware is like Tupperware, but with more pentagrams.) They also stress that this is nota pyramid...

"Getting old," retired detective Jim (Rob Gee) muses, "is a bit like getting mugged." Jim is losing his mind and it's coming at a bad time, since he has one final case to investigate: his wife's suspicious death in a dementia ward. Gee is an elastic performer who...

Big Sister is intelligent, relevant, charmingly performed—and a lot less satisfying than you’d expect. Playwright Deborah Vogt explores her relationship with her sister Naomi, who lost 75 pounds as an adult. Naomi performs the solo show, which is written in her voice,...