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by | Sep 13, 2018 | Review | 0 comments

> Colin Thomas

There are a whole lot of performers on the fringe festival circuit who lean too heavily on the eccentricity of their delivery. But it doesn’t matter how quickly you can talk, how much you flap around, how much you sweat, or how cunningly you can transform yourself into inanimate objects if you don’t have a meaningful, well-crafted story to tell.

Gerard Harris, who wrote and performs Banned in the USA, speaks rapidly but haltingly. At the performance I saw, he kept fretting about how much material he could include and still finish his show on time. Dude, don’t bother me with that. Figure it out and get on with it. And that wired stop-and-start thing makes for a bumpy ride.

What’s all of this in aid of? Mostly a story about trying to catch a couple of planes on time. So what? There’s nothing particularly insightful, funny, or engaging here, so who cares?

Remaining performances at the Arts Umbrella on September 13 (8 p.m.), 14 (10 p.m.), and 16 (6:15 p.m.)



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