The Legend of Georgia McBride: Toot
The script is mixed up and the production is inconsistent, but this show is fun — and that counts for a lot. In The Legend of Georgia McBride, playwright Matthew López tells the story of an Elvis impersonator named Casey who’s struggling — and failing — to make a...
Under Milk Wood: sensuality and wonder
I don’t know if language gets more glorious than this. The poetry in Dylan Thomas’s Under Milk Wood, a radio play from 1954 that was adapted for the stage, is unabashedly beautiful. In it, two narrators introduce us to the fictional Welsh town of Llareggub...
Rubaboo means stew: This stew is bland
Artistically, Rubaboo is mostly terrible. But there’s no denying the project’s good intentions. Core creator Andrea Menard, who also stars in this cabaret performance, has set out to explore the history and wisdom of her Métis culture. She’s aiming for truth and...
Stupid Fucking Bird: inconsistent but sometimes glorious
The Search Party’s production of Stupid Fucking Bird isn’t perfect, but it includes so many wildly successful elements that it’s worth seeing. Aaaron Posner’s script is a riff on Anton Chekhov’s The Seagull. The timeframe is updated to the present and some of the...
Black & Rural: stuck in its head
I’m white and urban writing about playwright Shayna Jones’s exploration of being Black and rural. Keep that in mind as you read this. In her solo show Black & Rural, which she has written and is now performing, Jones tells us that she lives in a mountain village...
Hedda Gabler: Makes you watch
Hedda Gabler rides the tension between realism and melodrama. This United Players production gets that combo right enough of the time to provide a consistently intriguing, often impressive evening. Playwright Henrik Ibsen is known as the father of theatrical realism...
Oz: Not so wonderful or wizardly
“Is it going to be over soon?” is not what you want to hear when you take a kid to the theatre, but that’s what my partner was getting from his eight-year-old grandson during this production of Oz. I don’t blame the boy. I was wondering the same thing. Patrick...
My Little Tomato: Tasty until it’s not
I really enjoyed My Little Tomato — until I started to get tired of it. It’s audacious, that’s for damn sure. In Rick Tae’s new script, Keaton Chu inherits his parents’ produce farm when they’re killed in a freak accident. Produce wholesaler Joe McKinley interrupts...
Sense and Sensibility: How about some respect?
There might be a satisfying production to be had based on Kate Hamill’s adaptation of Jane Austen’s Sense and Sensibility but I haven’t seen it yet. The script itself is problematic. In the story, when Henry Dashwood dies, the law says his estate, including his...
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