by Colin Thomas | Sep 4, 2019 | Review
I’m a fan of eccentricity but a show in which virtually all the performer offers is his own zaniness is kind of like a meal in which the sole ingredient is … I don’t know … marshmallows. In Sam Kruger’s monologue, he plays a space alien who comes to Earth because he’s...
by Colin Thomas | Sep 4, 2019 | Review
Tim Motley isn’t reinventing magic with Crazy for Dick Tricks, but he is practising it with a lot of charm. Some of the formats are familiar: a series of “failed” attempts at mindreading come together in a big finish, for instance. There are too many magic scarves and...
by Colin Thomas | Sep 4, 2019 | Review
Solo performer Carlyn Rhamey has charm to burn: she engages easily and confidently with her audience, inviting everybody in and capitalising on the liveness of the event. But, in Scaredy Cat, most of the stories that she tells about her own fearfulness aren’t as...
by Colin Thomas | Sep 4, 2019 | Review
Writer and solo performer Nyla Carpentier is charming: playful, friendly, and relaxed. And she can dance. In Dissection of a Indian Aboriginal First Nation Full-Blood Status Non-Status Halfbreed Métis Rez Urban Mixed Heritage Woman, Carpentier explores her French,...
by Colin Thomas | Sep 4, 2019 | Review
Diagnose This! feels like two shows. I prefer the second. In the first, writer and performer Donna Kay Yarborough regales us with stories based on her experience as a standardized medical patient (an actor who pretends to be a patient to help train healthcare...
