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THERE AIN’T NO MORE

Well, that’s … opaque. I admire the musical skills of writer and solo performer Willi Carlisle, but I have very little idea what he’s trying to say. In There Ain’t No More, Carlisle plays an old folksinger who’s giving what may be his last concert: he’s dying of...

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DESTINY, USA

Because it’s humble and autobiographical, some people might ignore Destiny, USA, but that would be a huge mistake: it’s one of the most skilful and moving shows I’ve ever seen at the Fringe. Laura Anne Harris is the sole live performer in this production of her...

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JOSEPHINE

I cried three times watching Josephine. The first was because I’m so grateful when I get to see the real thing: Tymisha Harris is a star. Harris plays Josephine Baker in this solo show, which the company describes as “a burlesque cabaret dream play”. Baker was the...

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THE ROBBER BRIDEGROOM: A GRIMM FAIRYTALE

Yes! This is how you tell a story. It starts with a wedding and a fainting bride. In her swoon — with the help of a chorus called the Grimm Sisters — the bride has the courage to confront her repressed memories. In that backstory, the bride is sixteen and a poor...

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SCAREDY CAT

Solo performer Carlyn Rhamey has charm to burn: she engages easily and confidently with her audience, inviting everybody in and capitalising on the liveness of the event. But, in Scaredy Cat, most of the stories that she tells about her own fearfulness aren’t as...

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DISSECTION OF A … MIXED HERITAGE WOMAN

Writer and solo performer Nyla Carpentier is charming: playful, friendly, and relaxed. And she can dance. In Dissection of a Indian Aboriginal First Nation Full-Blood Status Non-Status Halfbreed Métis Rez Urban Mixed Heritage Woman, Carpentier explores her French,...

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DIAGNOSE THIS! TALES OF A MEDICAL ACTOR

Diagnose This! feels like two shows. I prefer the second. In the first, writer and performer Donna Kay Yarborough regales us with stories based on her experience as a standardized medical patient (an actor who pretends to be a patient to help train healthcare...

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