by Colin Thomas | Feb 1, 2018 | Review
Theatre moves me to tears on a regular basis. But after watching King Arthur’s Night I flat out sobbed. This show speaks so concretely—and so skilfully—to isolation and inclusion. The publicity material for King Arthur’s Night describes it as “radically inclusive”—and...
by Colin Thomas | Jan 28, 2018 | Review
This production of Annie Baker’s The Aliens is one of the best shows of the season. Go see it. I love virtually everything about it and the tickets only cost seventeen bucks. Baker’s script is exquisite. In it, Jasper and KJ, a couple of slackers, hang out in the...
by Colin Thomas | Jan 27, 2018 | Review
The best fairytales don’t explain themselves or make arguments. They speak the more compelling and flexible language of symbolism. Unfortunately, Sleeping Beauty Dreams reinvents the Sleeping Beauty story as a rational thesis. In Amaranta Leyva’s version of the tale,...
by Colin Thomas | Jan 25, 2018 | Review
Big chunks of this play about African-American despair are boring. Said the white critic. In Suzan-Lori Parks’s Topdog/Underdog, brothers Lincoln and Booth—their father gave them their names as a joke—share a single room. The toilet is down the hall. There is no...
by Colin Thomas | Jan 20, 2018 | Review
Reassembled, Slightly Askew provoked one of the most intense theatrical experiences I’ve had: deeply disorienting, often frightening. Was it worth it? Probably. Written and produced by Shannon Yee, Reassembled, Slightly Askew explores Yee’s experience of acquired...
