by Colin Thomas | Jan 17, 2018 | Review
It gets better. And I don’t mean that in the Dan Savage your-miserable-queer-adolescence-can-turn-into-a-happy-queer-adulthood sense. I mean Black Boys starts haltingly but hits a solid and satisfying groove. In Black Boys, three men explore what it means to them to...
by Colin Thomas | Jan 11, 2018 | Review
Hot Brown Honey is a spectacularly well designed feminist pep rally. Over a span of 75 minutes, six Australian women of colour take on sexism, racism, and colonialism one vaudevillian act at a time. Tristan Shelly’s set is phenomenal. It’s shaped like a beehive with...
by Colin Thomas | Dec 9, 2017 | Review
In The Realistic Joneses, playwright Will Eno behaves like a compassionate—and funny—palliative care nurse. In the play, Pony and John Jones have just moved in next door to Jennifer and Bob Jones. Now they all live in the same small town. Bob has a degenerative...
by Colin Thomas | Dec 2, 2017 | Review
Every year, when I go to the East Van Panto, simply walking into the York Theatre is one of my favourite parts. Because of all of the kids in the audience, life suddenly becomes like bubble tea: sweet and devil-may-care. This year’s panto, Snow White & the Seven...
by Colin Thomas | Oct 23, 2017 | Review
I have no doubt that writer and performer Dipti Mehta’s heart is in the right place, but she’s not a great storyteller. In her solo show, Honour: Confessions of a Mumbai Courtesan, Mehta introduces us to Rani, whose mother, Chameli, is a sex worker in Mumbai’s “Fuck...
