Starwalker: Less than starry

Corey Payette’s new musical Starwalker is going to be meaningful to a lot of different people for a lot of different reasons. And there’s significant talent on the stage. I don’t mean to deny any of that when I say that, from a craft perspective, especially the craft...

Benevolence: exuberance, compassion

  On my trip to Benevolence, I started on a hill, then wandered through a valley. As I climbed the rise on the other side, I was surprised to find a startling view. Translation: I got bored in the middle of this show, but there’s such an excellent payoff that my...

Harlem Duet: intriguing, but (for me) muffled music

Something is out of focus here. Maybe it’s me. Djanet Sears’s 1997 script Harlem Duet riffs on Othello — and it takes on a lot. The action of Sears’s play unfolds in three time periods. In the core narrative, we’re in Harlem in 1997. In the event that triggers the...