Redpatch doesn’t work—at least it doesn’t work for me. I’m a white guy and Redpatch deals with the experience of a Métis soldier during WWI, so some might feel inclined to dismiss my criticism. But the company invited me to review the show, so here goes. Raes Calvert...

There are gaping holes in director Kim Collier’s production of Angels in America, Part One: Millennium Approaches, but it’s still worth seeing. When you first encounter Ken MacKenzie’s set, it’s stunning. The walls of the Stanley Theatre segue into the set itself, in...

Making theatre is like making music in a group: for either activity to really work, none of the elements can be out of tune or off-rhythm. In Belfast Girls, several components coordinate nicely. Others don’t. Playwright Jaki McCarrick starts with a fascinating...

Jess Thom, who has Tourette Syndrome, says that, ages ago, a friend of hers described Tourette’s as a “crazy, language-generating machine”. He also told her that she’d be nuts not to use her condition to make art. That friend was right. Very right. Extraordinarily...

Friends, don’t even read to the end of the review before you book tickets for Cuisine and Confessions. Do it now. Here’s the link: . Having done that, you should know: Cuisine and Confessions is one of the most sublime acrobatic performances you’ll ever see. Québec...