DYCK SPACEE – A SPY-FI IMPROVISED RADIO PLAY
> David Johnston * Five actors are arrayed behind a microphone/sound effects table, while a sixth directs from a tech booth. We're watching a live improvised taping of a detective radio serial that is equal partsnoirand sci-fi. In reality, it is equal parts...
MY IMAGINATION RAN AWAY WITHOUT ME
> David Johnston This show is spectacular, by the strictest definition: a spectacle, and not much else. There's nothing in the way of plot. This story fragments in this 20-minute-long acrobatics recital range from simplistic (a man watches anime...and then fights...
RABBIT HOLE
> Colin Thomas When Rabbit Hole starts, it’s been eight months since Becca and Howie’s four-year-old son Danny was hit by a car and killed. The driver was a teenager named Jason Willette. In its diligent examination of the emotional impact of Danny’s death on his...
BANNED IN THE USA
> Colin Thomas There are a whole lot of performers on the fringe festival circuit who lean too heavily on the eccentricity of their delivery. But it doesn’t matter how quickly you can talk, how much you flap around, how much you sweat, or how cunningly you can...
JON BENNETT: HOW I LEARNED TO HUG
> Sarvin Esmaeili * The speed of Jon Bennett’s storytelling left me open-mouthed. He starts by casually chatting with the audience. Then he subtly shifts into the heart of his show with the question, “How many of you have missed your plane before?... Well,nobody...
SMALL TOWN BOYS
> Sarvin Ismaeili * Small Town Boys helped me to understand men’s vulnerability. Performer/writer Sean Casey Leclaire introduces us to a group of boys who start hanging out together in suburban Montreal in 1970. Then the narrator follows his pals Bruno and Triple D...
MAGICAL MYSTERY DETOUR
> Colin Thomas Watching Gemma Wilcox perform is kind of like reading a children’s book—in which nothing much happens. If Magical Mystery Detour were a kids’ book, the emphasis would definitely be on the illustrations. In this one-woman show, Wilcox’s central...
SELF-ISH
> Colin Thomas When you unwrap Self-ish, there’s a gift waiting for you, but you’ve got to paw your way through a lot of packing material to get to it. In this monologue, playwright Kuan Foo introduces us to a 35-year-old Korean-Canadian woman named Esther. She’s...
NO BELLES
> Colin Thomas No Belles may not be formally ambitious, but it is very well crafted—like a nicely cobbled shoe or a beautifully bound book. With a feminist spin, three actors tell the story of eight female scientists. All of these researchers had to deal with...
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