The Tashme Project: The Living Archives – The truth is in the details
The Tashme Project: The Living Archives is an elegantly simple, moving, and important piece of theatre. Julie Tamako Manning and Matt Miwa, who created and perform the show, each have one Japanese parent and, when they met while working at the National Arts Centre a...
New Cackle Sisters: Kitchen Chicken—homemade okayness
New Cackle Sisters: Kitchen Chicken is inventive but not dazzling, an intermittently engaging form of theatrical folk art. In the show, a cast of six prepares a meal of chicken and mashed potatoes as well as appetizers—all while performing popular American songs from...
Chimerica: how many hours do you have to spare?
I thought it was never going to end. Then, after two hours, the lights finally came up—but it was only intermission. We had another hour and a half to go. Playwright Lucy Kirkwood’s Chimerica is about the current murky codependence between China and the States. To...
The Orchard (After Chekhov): hobbled by imitation
There are good bits, but overall it’s a mess. And the primary faults are in the writing and direction. In The Orchard (After Chekhov), Sarena Parmar, who grew up in Kelowna, resets Anton Chekhov’s The Cherry Orchard in the Okanagan in 1974. The central...
A Vista: a trip
Hunker down because this is going to sound dull at first, but it's not; I rarely experience such aesthetic exhilaration at the theatre. A Vista consists of three parts: “Full Drops”, which I saw last night; “Portals”, which is playing tonight (March 21), and...
Marine Life: a bit watered down
Guest review by David Johnston There are several plays inside Ruby Slippers Theatre's production of Marine Life. I even enjoyed one of them. My favorite Marine Life is the screwball romantic comedy. Here, lawyer Rupert (Sebastien Archibald) and activist Sylvia...
Gross Misconduct: the writer overplays her hand
This play could have been more than it is. In Meghan Gardiner’s Gross Misconduct, Deke, who’s been in jail for a long time—and who, incredibly, seems to have had a two-bunk cell to himself for years—finds out that he’s got a cellmate all of a sudden: a young guy named...
Jesus Christ: The Lost Years. Why?
There’s nothing seriously wrong with Jesus Christ: The Lost Years. And there are some things that are majorly right. I’m just not super clear on why it exists. In this hour-long show, writers Ryan Gladstone, Katherine Sanders, and Bruce Horak imagine what Jesus might...
Reverberations: intermittent seismic activity
One of the sections in Reverberations, an installation/performance piece by Brian Linds, knocked me out. In Reverberations, Linds, who has worked primarily as a sound designer for the past several years, explores his family history through five pieces that are all set...
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