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The Enemy…is too easy to spot

God save good art from simplistic politics. Donna Spencer has adapted Henrik Ibsen’s An Enemy of the People, which premiered in 1882, to create The Enemy—and by “adapted” I mean “shrunk”. In Ibsen’s story, Dr. Stockmann, the medical officer for a new spa in southern...

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Bacio Rosso: what price entertainment?

There’s some good fun to be had at Bacio Rosso, the cabaret circus that’s playing in a tent in Queen Elizabeth Park. But you have to pay for your fun in more ways than one. I’ve never been to an event like Bacio Rosso before. It’s more intimate than some circus-style...

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Three Winters: my chilly response

There seem to be at least a couple of good stories in the source material for Three Winters, but writer and director Amiel Gladstone hasn’t figured out how to tell them. Gladstone based Three Winters on his grandfather’s memories of being a prisoner of war in Stalag...

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David Petersen’s memorial

Here’s some information about David Petersen’s memorial that I didn't get in time to include in this morning's FRESH SHEET. It will be held on Sunday, November 25, at PAL (581 Cardero Street) starting at 4:00 p.m. David’s family is asking folks, if they’re able, to...

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Red Birds: twitter-brained

Aaron Bushkowsky’s new script Red Birds is flat-out dumb and—very occasionally—funny. It’s tricky to talk about this play without giving away major plot points, but I’ll do my best. In Red Birds, Carol, who has just turned 50, contacts her birth mother Hannah for the...

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Backbone: this show has plenty of it

Backbone made me really, really happy in my body. Another way of saying that is that, for about the first ten minutes of the show, I was moaning and gasping and—let’s face it—talking as if I was having sex with the entire company of ten acrobats and two musicians....

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