WITCH WITH HER SKIRT ON FIRE (Vancouver Fringe)
Writer/performer Megan Markham’s solo show consists of a series of fairytale-like stories about witches and witchcraft. The imagery and ideas are often charmingly inventive: the library at the centre of the universe that contains every book ever written; the lead...
THE PLAY THAT GOES WRONG: GOES RIGHT
Farce is so difficult. You need significant chops to pull it off, so a non-Equity production of The Play That Goes Wrong struck me as a dicey proposition, but this creative team is clearly drawing on a huge treasure chest of non-Equity experience. They’re rocking this...
THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) [REVISED] [AGAIN]: TO ITS OWN SELF IT’S TRUE
The Complete Works of William Shakespeare (Abridged) [Revised] [Again] is kind of like a trampoline park for actors: it gives them a great workout and a chance to show off their skills as they bounce from one Shakespearean play to the next, trying to get them all done...
THE MOUSETRAP: A DELIGHTFUL CONTRAPTION
To me, this production of The Mousetrap feels like one of those fantastically diverting mechanical toys I used to get on Christmas mornings — and that I still sometimes give on Christmas mornings. The play isn’t deeply meaningful, but there’s joy in the mechanics —...
CHARLIE AND THE CHOCOLATE FACTORY: DARK, FUNNY, FULLY REALIZED
Peter Jorgensen’s directorial vision is crystal clear in this production of Charlie and the Chocolate Factory, he has assembled a stellar team to realize that vision, and his sure hand makes for a luxurious evening at the theatre. Based on a novel by Roald Dahl, the...
LEGALLY BLONDE — WITH HIGHLIGHTS
I’m going to hold off on my assessment for a little bit and give you some context. I love a good bimbo and the character Elle Woods in the musical Legally Blonde is one of the best. A Malibu princess who has a 4.0 grade average — in fashion merchandising — Elle is...
WAITRESS: WILL MORE THAN SERVE
The material isn’t immortal, but it’s substantial enough and the production is perfect. Yep, that’s what I said: perfect. Jessie Nelson’s book for the musical is based on the movie, which was written by Adrienne Shelly. In the story, a waitress and piemaker named...
THE TWO GENTLEMEN OF VERONA: A STAR IS BORN
The play is slight. Director Dean Paul Gibson’s production is inconsistent. And young actor Jacob Leonard is a star. If The Two Gentlemen of Verona hadn’t been written by Shakespeare, I can’t imagine it would still be getting produced today. In the simple and...
THE DARK LADY: MURKY
Playwright Jessica B. Hill’s The Dark Lady kept me listening for the most part, but I was never fully or consistently engaged. The Dark Lady imagines a relationship between William Shakespeare and Emilia Bassano, the first woman in England to claim the status of...
Subscribe Free!
Sign up for the FRESH SHEET newsletter and get curated local, national, and international arts coverage — all sorts of arts — every week.
Contact
Drop a line to colinthomas@telus.net.
Support
FRESH SHEET, the reviews and FRESH SHEET, the newsletter are available free. But writing them is a full-time job and arts criticism is in peril. Please support FRESH SHEET by sending an e-transfer to colinthomas@telus.net or by becoming a patron on Patreon.
Website by Mighty Sparrow Design.


![THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) [REVISED] [AGAIN]: TO ITS OWN SELF IT’S TRUE](https://colinthomas.ca/wp-content/uploads/2025/07/Screenshot-2025-07-26-at-3.56.45-PM-400x250.jpeg)






