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Tips from an emerging playwright

Shelter from the Storm My interview with emerging playwright Peter Boychuk (pictured above) will appear in next week's Georgia Straight (Thursday, May 31). Peter's new show, Shelter from the Storm goes up the next day (June 1) at the Firehall, where it runs in a...

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Commit to Conflict

Some novelists and screenwriters that I work with are shy about conflict. My sense is that's partly because they don't want to dumb their stories down with meaningless action or fall into the traps of popular culture, which features a lot of gratuitous—and...

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Nice Box

  It's so skillful. Carmen Aguirre's autobiographical solo show, Blue Box, is not only exploding with hot content—Aguirre chronicles both her relationship with a wild Chicano lover who first appeared to her in a vision and her years in the Chilean underground...

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It’s the Bomb

If you haven't seen The Bomb-itty of Errors yet, get out there. Niko Koupantsis and Jameson Parker (the lovely ladies in Jay Haddow's photo above) are especially funny. This show is playing at Studio 16 until April 22, but book now. If there is justice in the...

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Character Exercise

Want to give two-dimensional characters an instant third dimension? Try this. Make a list of characteristics, likes and dislikes for your character. Opposite that list, write opposing characteristics, likes and dislikes. Choose one of the items from the list of...

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A Tool for Tunnellers

Some authors build bridges and some authors dig tunnels. In other words, some writers like to get a structure in place, an outline, before they launch into a story: these are the bridge builders. And other writers just burrow right into the tale. Local writer Lois...

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Wilde Thing

In my review of director David Mackay's production of The Importance of Being Earnest, I said that his take is vulgar. Because it is. There's a fart joke, a cunt joke (yep using the word), and a penis joke (see the above photo). Rather than concentrating on Wilde's...

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What I DO when I’m editing your work

If you're a writer, you might want to know what I actually do when I'm editing your work. Basically, I read your manuscript three times. THE FIRST READ The first read-through is all about my visceral responses to your story. On this reading, I take very few notes, but...

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Up Close and Dysfunctional

If you can get in, the show to see this week is Bob Frazer's production of Hedda Gabler at Roedde House in the West End. Anna Cummer (above) plays Hedda and, in Cummer's interpretation, Hedda feels almost sociopathic; it's clear that she just doesn't understand the...

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