by Colin Thomas | Sep 6, 2025 | Review
To make improv work, you need three things: audience goodwill, creative players, and a format that allows them to shine. Goodwill was flowing when I saw Duck Duck Moose and every one of the players had a moment or two in which they showed their potential. But the...
by Colin Thomas | Sep 6, 2025 | Review
I took part in the standing ovation (rarely happens). I bought the T-shirt (never happens). I loved this show. Megan Milton’s comic monologue is about being an “abortion survivor”, somebody who believes her high-school-age mom wasn’t prepared to have kids and should...
by Colin Thomas | Sep 5, 2025 | Review
There are riches in Emil Amok: 69, but you’ve got to negotiate a lot of clutter to get to them. In his anecdotal stand-up set, writer and performer Emil Amok Guillermo adopts an alienatingly hyperactive persona, his delivery is all over the place, and many of his...
by Colin Thomas | Sep 5, 2025 | Review
Writer/performer Megan Markham’s solo show consists of a series of fairytale-like stories about witches and witchcraft. The imagery and ideas are often charmingly inventive: the library at the centre of the universe that contains every book ever written; the lead...
by Colin Thomas | Aug 16, 2025 | Review
Farce is so difficult. You need significant chops to pull it off, so a non-Equity production of The Play That Goes Wrong struck me as a dicey proposition, but this creative team is clearly drawing on a huge treasure chest of non-Equity experience. They’re rocking this...
by Colin Thomas | Jul 26, 2025 | Review
The Complete Works of William Shakespeare (Abridged) [Revised] [Again] is kind of like a trampoline park for actors: it gives them a great workout and a chance to show off their skills as they bounce from one Shakespearean play to the next, trying to get them all done...