Almost, Maine is like the world’s best greeting card: it’s very, very clever, charming, and thin.
In the nine scenes of John Cariani’s script, we meet as many sets of lovers, would-be lovers, and former lovers. Aside from the couple who appear in the framing device, none of the characters show up more than once, so each of the scenes is a self-contained story.
In an ongoing joke—and it’s a good one—the script literalizes the language of love. A woman whose heart is broken carries the pieces around in a paper bag. And, in a truly hilarious sequence, when two characters fall in love, they stagger, stumble, and keel over. [Read more…]