by Colin Thomas | Oct 23, 2020 | Review
All alone in my living room, I applauded. These are lonely times and getting to watch the livestream of Veda Hille’s Little Volcano for 90 minutes is like having the most fascinating person over for the most intimate of conversations. Hille is a singer/songwriter and...
by Colin Thomas | Sep 25, 2020 | Review
Last night’s Opening Night Bash at the Transform Cabaret Festival was … transformative for me. Moreso than last year’s. I don’t think that’s because this year’s edition was artistically “better”, whatever that means; I think it’s because the overwhelming...
by Colin Thomas | Feb 6, 2020 | Review
Ronnie Burkett is a phenomenal performer. The puppets that he and his team creates are works of art. And he needs a whole lot more help with storytelling than he’s getting. Lots of things about Burkett’s newest show, Forget Me Not, are very cool. For starters, it’s in...
by Colin Thomas | Jan 23, 2020 | Review
Unikkaaqtuat, which is billed as a circus, is a sincere and generous gift from the rich traditions of several northern peoples. From my southern settler perspective, some of the show is gorgeous and some of it is boring. In its framing device, Levy, a young Indigenous...
by Colin Thomas | Jan 9, 2020 | Review
Two of the three characters in Infinity claim that they can hear time. I listened very closely, but I couldn’t hear the play’s heartbeat. Hannah Moscovitch’s script is emotionally alienating and its ambitious themes are underdeveloped. But I enjoyed it — because the...
