by Colin Thomas | Nov 21, 2025 | Review
You know the moody kid, the one hanging around at the edge of the playground at recess, the one watching all the other kids chasing each other and screaming with an enthusiasm that’s inaccessible to him? That’s who I felt like at Burnout Paradise: everybody else...
by Colin Thomas | Sep 15, 2025 | Review
For the second time in 48 hours, I’ve seen a show in which performers previously unknown to me have floored me with their talent. I encourage agents, directors, and everybody who loves good theatre to do their best to see both Rent and now The Animal Kingdom. Glenn...
by Colin Thomas | Jun 6, 2025 | Review
Mediocre skills and a terrible concept do not make for a fun night at the circus. In HAUS of YOLO, which was created by a New Zealand company called The Dust Palace, four acrobats venture into the world of fast fashion — very fast: the acrobats launch the show in...
by Colin Thomas | Apr 26, 2025 | Review
The Search Party’s production of Dance Nation didn’t leave any residue, it didn’t leave a mark on me, which is disappointing. In an essential way, the world of Clare Barron’s script is a perfect fit for the themes she sets out to explore. She introduces us to a group...
by Colin Thomas | Feb 8, 2025 | Review
Puppeteer Ronnie Burkett’s Wonderful Joe makes about as much sense as a painting by Marc Chagall — by which I mean it makes so much associative, intuitive, emotional sense. And it’s beautiful to look at as it swirls around its themes of loneliness and inclusion,...
