Kuroko: All dressed up
Sure, Kim Kardashian wears great clothes, but does she have a soul? There’s a similar problem — although it’s not nearly as severe or creepy — with Kuroko: the production is stunning but, narratively and emotionally, Tetsuro Shigematsu’s script is perfunctory. On...
Turn of the Screw: Fails to twist
There’s too much too soon. From the get-go, we know things are going to be creepy. In the story, which playwright Jeffrey Hatcher has adapted from Henry James’s 1898 novella, a young governess accepts a position from an eccentric Londoner: she will journey to Bly, the...
Escaped Alone: But we’re in this together
Go see this show. Because you should never ever turn down a chance to see a play by Caryl Churchill. She’s been one of the most exciting dramatists in the world for the last 40 years, and she will fuck you up — and reward you — every single time. In...
Certified: You’d be crazy not to see it
Jan Derbyshire’s Certified is pretty much perfect. And how often do I get to say that? Certified is about Derbyshire’s journey with mental illness and mental health, but it’s not one of those stories that collapse into the horrors of madness. Derbyshire allows herself...
Frankenstein, Lost in Darkness: waiting to be found at Pacific Theatre
Taking in Frankenstein: Lost in Darkness is very much like sitting around a fire on a winter evening and listening to a storyteller who is very good — if a little long-winded. Peter Church has adapted Mary Shelley’s novel as a staged radio play and it’s full of foley...
China Doll: Could I get some dramatic tension with that?
Oh man, why do such poorly written plays get produced? Yes, Marjorie Chan’s China Doll is admirably feminist and admirably inclusive of underrepresented experience, but it’s also boring. Chan starts her story in Shanghai in 1904, when her central character, Su-Ling,...
Take d Milk, Nah?: Yeah, take d milk
I've been so bored in the theatre so often lately that I’ve been starting to wonder if I’m dead inside. That’s why I’m feeling so high right now: Take d Milk, Nah? kept me consistently stimulated and engaged. From the get-go, solo performer Jivesh Parasram is Mr....
Cost of Living: sentiment, beauty, mistakes
Equivocation isn’t much fun, but it’s all I’ve got. There are strengths in the performances in this Arts Club production of Martyna Majok’s Cost of Living. And the Pulitzer Prize-winning script is compassionate and sometimes lyrical. But there are also times when the...
Company: in the wrong room
The venue doesn’t work. The style doesn’t work. And the wig they've given Katey Wright is horrible. But it’s not all bad news. Raincity Theatre, which scored a smashing success with is site-specific production of Sweeney Todd last season is back with a site-specific...
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