by Colin Thomas | Jul 21, 2025 | Review
To me, this production of The Mousetrap feels like one of those fantastically diverting mechanical toys I used to get on Christmas mornings — and that I still sometimes give on Christmas mornings. The play isn’t deeply meaningful, but there’s joy in the mechanics —...
by Colin Thomas | Jul 19, 2025 | Review
Peter Jorgensen’s directorial vision is crystal clear in this production of Charlie and the Chocolate Factory, he has assembled a stellar team to realize that vision, and his sure hand makes for a luxurious evening at the theatre. Based on a novel by Roald Dahl, the...
by Colin Thomas | Jul 19, 2025 | Review
I’m going to hold off on my assessment for a little bit and give you some context. I love a good bimbo and the character Elle Woods in the musical Legally Blonde is one of the best. A Malibu princess who has a 4.0 grade average — in fashion merchandising — Elle is...
by Colin Thomas | Jul 15, 2025 | Review
The material isn’t immortal, but it’s substantial enough and the production is perfect. Yep, that’s what I said: perfect. Jessie Nelson’s book for the musical is based on the movie, which was written by Adrienne Shelly. In the story, a waitress and piemaker named...
by Colin Thomas | Jul 15, 2025 | Review
The play is slight. Director Dean Paul Gibson’s production is inconsistent. And young actor Jacob Leonard is a star. If The Two Gentlemen of Verona hadn’t been written by Shakespeare, I can’t imagine it would still be getting produced today. In the simple and...
by Colin Thomas | Jul 15, 2025 | Review
Playwright Jessica B. Hill’s The Dark Lady kept me listening for the most part, but I was never fully or consistently engaged. The Dark Lady imagines a relationship between William Shakespeare and Emilia Bassano, the first woman in England to claim the status of...
