by Colin Thomas | May 8, 2021 | Review
Theatre for grown-ups. I’m grateful. This version of The Boy in the Moon is playwright Emil Sher’s adaptation of Ian Brown’s memoir about raising Walker, his severely disabled son, with his wife Johanna Schneller. It’s tough. Describing Walker at birth, the character...
by Colin Thomas | Apr 21, 2021 | Review
Strong acting. Taut dialogue. Handsome set. But there’s no thematic revelation. In Hannah Moscovitch’s Post-Democracy — which is receiving its world premiere at Winnipeg’s Prairie Theatre Exchange — a Chief Operating Officer named Lee is trying to convince his boss,...
by Colin Thomas | Apr 15, 2021 | Review
All alone in my office, I was laughing out loud and clapping my hands. Bad Hat Theatre’s Alice in Wonderland is streaming online, but it does what theatre does best: it activates the concrete imagination. Without resorting to illusion, it uses sounds, bodies, and...
by Colin Thomas | Apr 7, 2021 | Review
Writing this review of United Players’ production of Silent Sky isn’t as challenging as, say, astrophysics, but it’s still tricky, okay? I enjoyed the show a lot. Playwright Lauren Gunderson’s script about the turn-of-the-twentieth-century career of...
by Colin Thomas | Mar 24, 2021 | Review
Well-intentioned and over two-hours long, the audio play Night Passing is, unfortunately, boring. Set in Ottawa in 1958, playwright Scott Button’s script explores the entrapment of gay men and lesbians by the RCMP. Fueled by anti-communist hysteria south of the...
