by Colin Thomas | Oct 17, 2024 | Review
Keep Calm and Murray On is kind of like a kids’ tap recital: the only reason to attend is if you know somebody who’s performing in it and you want to be supportive. With a couple of exceptions, the evening is an amateurish mess. Keep Calm is being billed as an...
by Colin Thomas | Oct 13, 2024 | Review
I haven’t seen the film or read the book, but Charlie and the Chocolate Factory the musical comes into its own when it’s at its nastiest. There are upsides and downsides to this. (I’m mostly going to deal with the downsides first, but hang in with this review if you...
by Colin Thomas | Oct 11, 2024 | Review
Playwright Mohammad Yaghoubi’s Earworm is such an intriguing combination of elements. They didn’t all work for me, but they sure as hell kept me engaged. The central relationship is between an Iranian-Canadian podcaster named Homa and her adult son Pendar, who lives...
by Colin Thomas | Sep 28, 2024 | Review
Great. I get to be the white guy who says he didn’t much care for Indigenous artist Cliff Cardinal’s solo show As You Like It or The Land Acknowledgement. I went into the evening hoping for challenge and provocation, but I didn’t get either. My expectation and...
by Colin Thomas | Sep 22, 2024 | Review
Artistic adventure is rare in Vancouver theatre these days. Want some? I’ve got a show for you. On so many levels, Sticks and Stones Theatre’s production of Middletown is such a surprising pleasure. Like Thornton Wilder’s Our Town, which clearly inspired it,...
