by Colin Thomas | Mar 9, 2018 | Review
SUBSCRIBE—free!—to COLIN THOMAS’S NEWSLETTER Every week, I curate the best local, national, and international theatre coverage and send it right your mailbox. I include lots of links, so you can follow up on your favourite stories. And I include links to all of my...
by Colin Thomas | Mar 9, 2018 | Review
When I was returning to my seat after intermission, I had virtually no interest in what was going to happen next. That’s not a good sign. In Forget About Tomorrow, playwright Jill Daum tells the story of Jane, whose husband Tom develops early-onset Alzheimer’s. The...
by Colin Thomas | Mar 8, 2018 | Review
The day after seeing The After After Party, I’m still laughing as I describe it to friends. The laughter is uncontrollable. Like I’m being tickled. By unseen hands. That belong to somebody that I like but can’t identify. If you’re up for an audacious good time, The...
by Colin Thomas | Feb 23, 2018 | Review
In An Almost Holy Picture, Samuel Gentle delivers a monologue about his relationship with his daughter Ariel. Samuel is such a bad parent that I wanted to stab him. To make matters worse, he is a bad parent in a very obvious way. The moral of the story and the action...
by Colin Thomas | Feb 23, 2018 | Review
It’s fine. It’s okay. It’s kind of charming. But that’s not enough. In Pss Pss, Swiss artists Camilla Pessi and Simone Fassari play mute clown characters who meet, struggle for possession of an apple, and, through increasingly challenging acrobatics, end up on a...
