JON BENNETT: HOW I LEARNED TO HUG

> Sarvin Esmaeili * The speed of Jon Bennett’s storytelling left me open-mouthed. He starts by casually chatting with the audience. Then he subtly shifts into the heart of his show with the question, “How many of you have missed your plane before?…...

SMALL TOWN BOYS

> Sarvin Ismaeili * Small Town Boys helped me to understand men’s vulnerability. Performer/writer Sean Casey Leclaire introduces us to a group of boys who start hanging out together in suburban Montreal in 1970. Then the narrator follows his pals Bruno and Triple D...

MAGICAL MYSTERY DETOUR

> Colin Thomas Watching Gemma Wilcox perform is kind of like reading a children’s book—in which nothing much happens. If Magical Mystery Detour were a kids’ book, the emphasis would definitely be on the illustrations. In this one-woman show, Wilcox’s central...

SELF-ISH

> Colin Thomas When you unwrap Self-ish, there’s a gift waiting for you, but you’ve got to paw your way through a lot of packing material to get to it. In this monologue, playwright Kuan Foo introduces us to a 35-year-old Korean-Canadian woman named Esther. She’s...

NO BELLES

> Colin Thomas No Belles may not be formally ambitious, but it is very well crafted—like a nicely cobbled shoe or a beautifully bound book. With a feminist spin, three actors tell the story of eight female scientists. All of these researchers had to deal with...