ANNIE: NOT EVERYTHING I WANTED FOR CHRISTMAS
Annie is the Gateway’s Christmas show, so let’s say this pudding is tasty sometimes, but also pretty lumpy. Stylistically, director Josh Epstein’s production is inconsistent — and that’s partly because, stylistically, Annie is a tricky musical. Based on the comic...
LOUISA MAY ALCOTT’S LITTLE WOMEN: SURRENDER
For some reason, probably general curmudgeonliness, I tried to resist Louisa May Alcott’s Little Women. I failed. Yes, the story is sentimental, but it’s about the importance of familial and romantic love — of kindness, honesty, and openheartedness. In this age, which...
A WONDERHEADS CHRISTMAS CAROL: ENOUGH ALREADY
I suggest a moratorium on adaptations of A Christmas Carol. We’ve had more than enough and some of them are good. In this variation from Victoria’s Wonderheads Theatre, there’s skill on display and some moments work but, as a whole, the evening is boring. The medium...
THE CRICKET ON THE HEARTH: GENEROSITY WINS OUT
Despite a bumpy start and hitches along the way, this journey is more than worth it. This United Players production is the premiere of a new adaptation, by Naomi Wright and director Sarah Rodgers, of Charles Dickens’s novella, A Cricket on the Hearth. The story, which...
EAST VAN PANTO: WEST VAN STORY – DOES NOT GO SOUTH
Theatre Replacement’s East Van Panto has become the most reliable theatrical offering in Vancouver’s cultural calendar. I’m so appreciative of the tradition that, about three minutes into this year’s show, I was choking up with gratitude. It means a lot to come...
BURNOUT PARADISE: WHY?
You know the moody kid, the one hanging around at the edge of the playground at recess, the one watching all the other kids chasing each other and screaming with an enthusiasm that’s inaccessible to him? That’s who I felt like at Burnout Paradise: everybody else...
BETWEEN BREATHS: WAITING TO EXHALE
It takes too long to land but this production does, finally, make it home. Robert Chafe’s script, Between Breaths, is a meditation on death and joy, confinement and freedom, as embodied in the experience of real-life academic and conservationist Jon Lien. Lien, who...
THE EFFECT: A CONTAMINATED STUDY
I admire so much about this production and many things about the text. That discussion starts in the paragraph that begins “In other ways…” But first I’m going to talk about elements that kept me from fully investing in the script, including what I perceive as the...
DISNEY’S FROZEN, THE BROADWAY MUSICAL: FREEZE-DRIED
Disney’s Frozen, The Broadway Musical is as commercial and superficial as it sounds. It’s also incoherent, which is worth talking about. Because the show’s symbolism is a mess, it doesn’t make sense thematically. Jennifer Lee based her book for the musical on the...
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