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The Shoplifters: return it

Morris Panych’s The Shoplifters is so slight that it almost doesn’t exist—although it does contain the beginning of an idea. That idea is that raw capitalism is unjust. Dom, a zealous security guard who’s training in a Superstore kind of place, apprehends a savvy old...

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The Amish Project—without the Amish

The Amish Project is a sentimental fictionalization of a tragedy. In 2006, a shooter entered a school in the Amish community of Nickel Mines, Pennsylvania. He held ten girls hostage and shot eight of them, killing five. The Amish responded with forgiveness, reaching...

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Yoga Play: steady that pose

  If only it had a middle. Yoga Play has an enticing beginning and a meaningful conclusion. But, in between, it gets lost in low-stakes plotting. In Yoga Play, American writer Dipika Guha takes aim at the commercialization of an ancient ascetic practice. Think...

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True Crime: whydoit whodunnit

    The animating argument of True Crime is that audience members are complicit in a moral transgression. I don’t buy it. So, philosophically, the show is boring to me. But True Crime does deliver beautifully worked surfaces. Torquil Campbell, who performs...

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Lawsuit Decision: $0.00

On Thursday, January 31, Judge Winston Lee released his decision regarding the lawsuit I filed in small claims court against The Georgia Straight. Judge Lee ruled that, in his view, I was not a dependent contractor at The Straight—which means that I was not in an...

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Cabaret: so many spectacular elements

Although it doesn’t have enough emotional depth, this Cabaret is dazzling in many ways. Cabaret is about Clifford Bradshaw, a young American novelist who arrives in Berlin on New Year’s Eve, 1931. Although he’s had sex with men and is conflicted about his orientation,...

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