Men Express Their Feelings — for your delight and edification
I’m having an identity crisis. If Vancouver companies don’t stop producing such good shows, I’m going to lose my reputation for being a hard ass. Zee Zee Theatre’s production of Sunny Drake’s Men Express Their Feelings is a terrific ride. It’s about two father/son...
Bunny: Hop to it. (Sorry, but you really should.)
Because standing up for everything makes standing ovations meaningless, I hardly ever give them. But I was on my feet at the end of Bunny before I knew it — and I was hollering, “Brava! Brava! Brava!” I was so moved by this play and production. And I am so proud of...
bad eggs: good try
Unladylike co., which is producing bad eggs, is a new, young, feminist company. I’m sympathetic on all these fronts — and I can’t recommend this production. Written by Jessica Hood, bad eggs, which is being presented online, plucks Persephone and Hades from their myth...
Clean/Espejos: One of the best shows in years
Clean/Espejos is so good that I’m worried about not doing being able to do it justice in this review. The script — written by Christine Quintana with translation and adaptation by Paula Zelaya-Cervantes — is an impressively mature work of art that its two characters...
Ominous Sounds at the River Crossing: There are no bridges
Especially if you’re over 50, don’t bother with this play; you don’t have that much good time left. Jason Sherman’s new script Ominous Sounds at the River Crossing; or, Another Fucking Dinner Party Play is funny — but only for about the first ten minutes. After that,...
Little Red Warrior and His Lawyer: Finding the groove
At first, I was not in the groove of Little Red Warrior and His Lawyer — and I was content to think, “Okay, maybe this wasn’t written for me.” Other people were laughing up a storm, including the row of Indigenous folks in front of me — so maybe I just wasn’t...
Redbone Coonhound: FIRE! (and misfires)
Written by married couple Omari Newton and Amy Lee Lavoie, Redbone Coonhound isn't always subtle or precisely focused, but it’s got force! It’s about Michael, who’s married to Marissa. As in the Newton/Lavoie marriage, he’s Black, she’s white, and they live in...
The Cull: Focus!
What world are we in? The Cull, which was written by Michele Riml and Michael St. John Smith, and which is being presented as an audio play, starts off as a bougie sitcom. Nicole and her husband Paul are hosting a dinner party — in their 12,000-square-foot house — to...
I Cannot Lie to the Stars That Made Me: Where’s the centre?
I Cannot Lie to the Stars That Made me is full of pleasing textures but, unfortunately, little else. Catherine Hernandez wrote the script that director Fay Nass has adapted for the frank theatre into a 53-minute audio play with music. It’s about a woman who leaves an...
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