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CHILD-ISH: Effervescence

CHILD-ISH: Effervescence

I love this show, everything about it. And I strongly encourage you to see it. For CHILD-ish, Toronto playwright Sunny Drake interviewed 41 kids over a period of years. He also invited the kids to interview one another. And they interviewed him. The result is an...

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JULIET: A REVENGE COMEDY — Got Me

JULIET: A REVENGE COMEDY — Got Me

By the end of Juliet, A Revenge Comedy, I was completely into it.   In the script, which was written by Ryan Gladstone and Pippa Mackie, Juliet from Romeo and Juliet finds herself in a kind of Shakespearean Groundhog Day: she keeps falling in love, losing her...

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CHOIR BOY: But Not Story Boy

CHOIR BOY: But Not Story Boy

The music is sublime. Sublime. But, especially as it’s presented in this production, the script is not. When Choir Boy started, with Andrew Broderick, who plays the central character, Pharus, singing a cappella, and then, when he was joined, in perfect harmony, by...

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THE MIRROR: Not So Reflective

THE MIRROR: Not So Reflective

I have a very strong hunch that, if any other person who was in the audience with me last night had the opportunity to review The Mirror, they’d be giving it a more enthusiastic write-up than I’m about to. When they were all on their feet, clapping wildly, I was in my...

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GERTRUDE AND ALICE: The Continuous Present

GERTRUDE AND ALICE: The Continuous Present

This might sound hokey, but watching Gertrude and Alice made my insides feel like spring: I was filled with surprise and freshness. This script was created by a trio of playwrights: Anna Chatterton, Evalyn Parry, and Karin Randoja. In it, writer Stein and her life...

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LORENZO: A Love Story

LORENZO: A Love Story

It’s always interesting when you’re won over by a show — completely won over — even after you’ve gotten off on the wrong foot. The first movement of British artist Ben Target’s monologue Lorenzo didn’t engage me. Target’s career has mostly been in stand-up and, as he...

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Snow White: like getting stuck in a windstorm

Snow White: like getting stuck in a windstorm

Maybe I caught a particularly rough performance of Carousel Theatre’s Snow White. At the Saturday matinee I attended, the audience was small and there were a lot of adults, which could partly explain why the show didn’t come close to generating the kind of runaway...

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