BEHIND THE MOON: EXTRAORDINARILY WELL REALIZED

BEHIND THE MOON: EXTRAORDINARILY WELL REALIZED

It’s been two years since Behind the Moon premiered in Toronto. Since then, it’s had only one production, in Victoria. That’s kind of nuts. This script should be getting produced across the country. So thanks to director Lois Anderson and the impeccable company of...
Hurricane Mona: downgraded to tropical storm

Hurricane Mona: downgraded to tropical storm

Just a simple family meal with a frog (Photo by Augusto Meza) I’m grateful to every artist who takes on climate change and there are striking elements in Pippa Mackie’s script. Overall, though, Hurricane Mona is a mostly unfunny comedy and its structure sucks. That...

Ominous Sounds at the River Crossing: There are no bridges

Especially if you’re over 50, don’t bother with this play; you don’t have that much good time left. Jason Sherman’s new script Ominous Sounds at the River Crossing; or, Another Fucking Dinner Party Play is funny — but only for about the first ten minutes. After that,...

Lights — but not much action

On opening night, several people told me that they enjoyed Touchstone Theatre’s production of Adam Grant Warren’s new play Lights. I did not. I’m going to lay out my reasons, not because I’m trying to suck the pleasure out of anybody’s experience, but...

Certified: You’d be crazy not to see it

Jan Derbyshire’s Certified is pretty much perfect. And how often do I get to say that? Certified is about Derbyshire’s journey with mental illness and mental health, but it’s not one of those stories that collapse into the horrors of madness. Derbyshire allows herself...