by Colin Thomas | May 24, 2026 | Review
More Dolores Drake, please. Her portrait of Mary Snow in Western Gold Theatre’s production of Salt-Water Moon is excellent. We don’t see enough of her onstage. But Salt-Water Moon is a poetic two-hander and, to sustain its tension, which is a tricky thing to do, you...
![THE UNDENIABLE [REPETITIVE, PREDICTABLE] ACCUSATIONS OF RED CADMIUM LIGHT](https://colinthomas.ca/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-12.42.38-PM.jpeg)
by Colin Thomas | Apr 24, 2026 | Review
I’m surprised I wasn’t more bored than I was. I mean, I was plenty bored; I’m just surprised I stayed awake. I’d say that there are spoilers ahead and, technically speaking, there are, but the big plot point I’m about to reveal comes as no surprise. (Still, if...
by Colin Thomas | Apr 19, 2026 | Review
Physically, this production of Shrek the Musical is as handsome as all get-out — and there’s a lot of talent on the stage. That said, on opening night, it took quite a while before I was emotionally engaged. Let’s get into all that. But first, a quick synopsis...
by Colin Thomas | Apr 18, 2026 | Review
This is my second take on this review. I’m posting a new version because I received emails from two readers who took me to task — persuasively — for my response to the script’s treatment of the main character’s intellectual disability. (You can read their comments...
by Colin Thomas | Apr 17, 2026 | Review
Ambitious. Meditative. I loved it. The end of greatness is a cosmological concept that, in the words of writers Veda Hille and Maiko Yamamoto, theorizes “the point in the universe where everything stops being unique and starts being repetitive.” As I understand...
