by Colin Thomas | Sep 21, 2026 | Review
Puppet sex. That should be enough to get you out to see Metro Theatre’s mounting of the musical Avenue Q. But there’s a lot more. This is an excellent production. Avenue Q looks very much like Sesame Street, but with a skewed Gen X slant. In his opening lyrics,...
by Colin Thomas | Sep 17, 2026 | Review
Want to know how to tell a story? Watch Jimmy Hogg. In Jimmy Hogg: Mashed his story is about how he hitchhiked from Plymouth to the West Midlands to meet his girlfriend’s wealthy parents. It’s also about how desperate he was to be cool when he was 19 and how, through...
by Colin Thomas | Sep 16, 2026 | Review
There are no theatrical chops on display in The Ivory Tower Power Hour. In this mostly one-woman show (a couple of back-up dancers join her at one point), creator/performer Dr. Heather McLean, who is a real-life academic, tries to send up “higher education in late...
by Colin Thomas | Sep 14, 2026 | Review
Ay, me! The flamenco performance Las Mujeronas had me hollering “Olé!”, laughing, and crying all sorts of tears — from pain, from joy, and from the sheer, extravagant beauty of it. The program that Jhoely Triana Flamenco is presenting at the Vancouver Fringe combines...
by Colin Thomas | Sep 14, 2026 | Review
Watching Daddy Bear & Man P*ssy, I went through a portal. In this performance, husband-and-husband team Steve Wright and Jeff Narayan tell the story of their relationship — mostly untheatrically. They stand side by side and take turns delivering information. Both...
