by Colin Thomas | Mar 12, 2022 | Review
Clean/Espejos is so good that I’m worried about not doing being able to do it justice in this review. The script — written by Christine Quintana with translation and adaptation by Paula Zelaya-Cervantes — is an impressively mature work of art that its two characters...
by Colin Thomas | Aug 6, 2021 | Review
Maybe the best way to see these two short scripts is as seedlings. In Gather: Stories in Nature, Shayna Jones and Cameron Peal both perform solo plays they’ve written about their relationships to the earth. In a (mostly) productive decision, their work is being...
by Colin Thomas | May 8, 2021 | Review
Theatre for grown-ups. I’m grateful. This version of The Boy in the Moon is playwright Emil Sher’s adaptation of Ian Brown’s memoir about raising Walker, his severely disabled son, with his wife Johanna Schneller. It’s tough. Describing Walker at birth, the character...
by Colin Thomas | Nov 16, 2017 | Review
Don’t go to The Ridiculous Darkness if you’re looking for a standard-issue night at the theatre, or even if you’re only interested in fully successful productions. Do go if you’re up for an aesthetic adventure. The provenance of this show is complicated. It started...
