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Vancouver Fringe: IAGO VS. HAMLET

Especially in these tough times, I don’t want to give anybody a bad review, but Iago vs. Hamlet didn’t work for me. The premise of playwright Jayson McDonald’s two-hander is simple: in a mix-up, Iago and Hamlet have rented the same rehearsal space for an hour. After...

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Done/Undone: half done

For me, the two most personalized passages in Done/Undone, screenwriter Kate Besworth’s new film about the current relevancy — or irrelevancy — of Shakespeare’s work, are also the most successful. In Done/Undone, which was initially commissioned by Bard on the Beach...

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Gather: Stories in Nature — room to grow

Maybe the best way to see these two short scripts is as seedlings. In Gather: Stories in Nature, Shayna Jones and Cameron Peal both perform solo plays they’ve written about their relationships to the earth. In a (mostly) productive decision, their work is being...

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The Magic Hour: It really is

The Magic Hour opened me up and rearranged me. It was extraordinary. The Magic Hour offers an immersive experience that audience members go through one at a time — or in pairs if you need to. The idea is that you’re finishing a dog walk and re-entering your home...

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I, Claudia: Welcome home

I cried with other people and laughed with them. We shared the space with a skilled and responsive performer. Together, we all slipped into the land of deliberate artifice and came out the other side with our hearts bigger and, in my case at least, more relaxed. Last...

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Sii ye’yu: A Healing Assembly

This is what performance — what gathering — can be. Last Thursday, I attended and participated in Sii ye’yu (friends, relatives), an event created by Mortal Coil (a theatre company headed by settler artists) and Tsatsu Stalqayu (an Indigenous family group also known...

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New-Fangled Fibs: I like ’em old-fangled

The most interesting thing about watching New-Fangled Fibs: Tall Tales by Paul Strickland is trying to figure out why it doesn’t work. It’s not like Strickland, who specializes in tall tales, isn’t a talented guy. His show, Ain’t True and Uncle False, which I saw at...

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Cock: I like it

Let’s talk about sex. That’s what Cock is all about — well sex, love, and identity. In Mike Bartlett’s Olivier Award-winning script from 2009, John has left his male lover M when he meets W and has sex with a woman for the first time. He thinks W’s vagina is “amazing”...

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