I do not want to write this review. I know that it takes enormous effort to mount a show — even if it's a bad one. And I’m sure that everybody involved with the United Players production of The Thursday Night Bridge Circle has the best of intentions. But sometimes...

I got goosebumps, I laughed (a lot), and I cried — all in one show. Of the performances I’ve seen at the Fringe so far this year, this is my favourite. Writer and performer Bruce Ryan Costella frames Spooky & Gay Cabaret with a scary story about an eleven-year-old...

My bet is that artists are more likely to get away with this kind of nonsense on the fringe circuit, where audiences are more predisposed to giving it a pass as “artsy”. But Ha Ha Da Vinci is just very badly made. Phina Pipia, who wrote and performs this piece, plays...

In Every Good Story Ends With One, well-loved Fringe performer Martin Dockery tells the story of a humiliatingly bad run he had at the Adelaide Fringe Festival, a run that was miraculously saved by an ardent — and anonymous — fan who sent a series of letters and small...