by Colin Thomas | Dec 1, 2024 | Review
Perhaps the kindest way to start is to say that, artistically, Miracle on 34th Street is a tough sell in 2024. (And the realistic way to start is to say that this Arts Club production fails to sell it.) Miracle on 34th Street is thin, sentimental, and painfully...
by Colin Thomas | Nov 23, 2024 | Review
Well, that was a journey. In Act 1, I admired the performances but was so uninterested in the storytelling that I wrote in my notebook, “Why am I here?” But, by the emotional climax of Act 2, tears were streaming down my face and, when they stopped, I felt cleansed....
by Colin Thomas | Apr 1, 2024 | Review
Playwright Lolita Chakrabarti’s Red Velvet is primarily concerned with two things: anti-Black racism and acting styles in the nineteenth century, when the play is set. These things overlap. Ira Aldridge, the hero of Chakrabarti’s story, is a historical figure, a Black...
by Colin Thomas | Dec 13, 2023 | Review
This is a guest article by a young Vancouver actor who would like to remain anonymous. They are talking about their experiences and expressing their opinions. I am very grateful to them for sharing this articulate piece and I look forward to hearing feedback from...
by Colin Thomas | Nov 25, 2023 | Review
(Photo by Emily Cooper) Year after year, almost without fail, Theatre Replacement’s East Van Pantos are some of the most innovative, entertaining productions we see all season. Beauty and the Beast is one of the best. Co-writers Jivesh Parasram and Christine Quintana...