AN IDEAL HUSBAND: I’D MARRY IT

AN IDEAL HUSBAND: I’D MARRY IT

Because theatre has so many moving parts, several of which are moving actors, who come complete with independent sensibilities, stylistic adventure in the theatre is a dangerous game: if you don’t get all those moving parts coordinated, the show will crash in...
THE HEIGHT OF THE STORM: Let Me Do It Myself!

THE HEIGHT OF THE STORM: Let Me Do It Myself!

It’s a beautiful play, slightly reduced in this production, but absolutely worth seeing. The Height of the Storm is set in an older couple’s home outside Paris. André, a renowned writer, has dementia. Although she appears, his wife Madeleine, the equally bright and...
WHEN WE WERE SINGING: A Flawed Good Time

WHEN WE WERE SINGING: A Flawed Good Time

I enjoyed myself at When We Were Singing. Beyond that, the analysis gets more complicated. Off the top, I want to thank the company for accommodating my schedule and letting me see this show in its first and only preview. To be clear, this cast had never performed in...
TAKE THE TRIP TO BOUNTIFUL

TAKE THE TRIP TO BOUNTIFUL

Director Ron Reed’s production of The Trip To Bountiful is consistently tender and nuanced. It’s a thing of beauty. I encourage you to see it. In Horton Foote’s script, which premiered in 1953, Mrs. Carrie Watts engineers an escape from the cramped apartment in...
GERTRUDE AND ALICE: The Continuous Present

GERTRUDE AND ALICE: The Continuous Present

This might sound hokey, but watching Gertrude and Alice made my insides feel like spring: I was filled with surprise and freshness. This script was created by a trio of playwrights: Anna Chatterton, Evalyn Parry, and Karin Randoja. In it, writer Stein and her life...