by Colin Thomas | Oct 2, 2021 | Review
I’ve never been more alert to shimmering life than in the weeks preceding my friend Len’s assisted death. Presence was the gift of their passing. That’s also the substance of Will Eno’s Wakey, Wakey, which is seamlessly well realized in Pacific Theatre’s production....
by Colin Thomas | Aug 6, 2021 | Review
Maybe the best way to see these two short scripts is as seedlings. In Gather: Stories in Nature, Shayna Jones and Cameron Peal both perform solo plays they’ve written about their relationships to the earth. In a (mostly) productive decision, their work is being...
by Colin Thomas | Mar 1, 2020 | Review
Best of Enemies is a familiar and predictable story of a white man’s redemption, but it still matters — a great deal. And it’s true. In 1971, in Durham, North Carolina, Ann Atwater was a black housing activist and C.P. Ellis was the Exalted Cyclops of a Durham klavern...
by Colin Thomas | Jan 19, 2020 | Review
Playwright and solo performer Maki Yi means well with Gramma and it starts off promisingly, but it quickly becomes very boring. Gramma is based on the relationship that Korean-Canadian Yi had with her first Canadian landlady, a demanding 90-year-old woman who allowed...
by Colin Thomas | Oct 24, 2019 | Review
Taking in Frankenstein: Lost in Darkness is very much like sitting around a fire on a winter evening and listening to a storyteller who is very good — if a little long-winded. Peter Church has adapted Mary Shelley’s novel as a staged radio play and it’s full of foley...
