by Colin Thomas | Mar 1, 2020 | Review
Best of Enemies is a familiar and predictable story of a white man’s redemption, but it still matters — a great deal. And it’s true. In 1971, in Durham, North Carolina, Ann Atwater was a black housing activist and C.P. Ellis was the Exalted Cyclops of a Durham klavern...
by Colin Thomas | Jan 19, 2020 | Review
Playwright and solo performer Maki Yi means well with Gramma and it starts off promisingly, but it quickly becomes very boring. Gramma is based on the relationship that Korean-Canadian Yi had with her first Canadian landlady, a demanding 90-year-old woman who allowed...
by Colin Thomas | Oct 24, 2019 | Review
Taking in Frankenstein: Lost in Darkness is very much like sitting around a fire on a winter evening and listening to a storyteller who is very good — if a little long-winded. Peter Church has adapted Mary Shelley’s novel as a staged radio play and it’s full of foley...
by Colin Thomas | May 18, 2019 | Review
I’m so grateful. Pacific Theatre’s production of The Cake is coming at the right time — at the necessary time. With Alabama’s virtual ban on abortion just the latest in states’ restrictions of female autonomy, the Trump administration’s assault on LGBTQ rights, and...
by Colin Thomas | Mar 2, 2019 | Review
There are several plays going on at once in Jesus Freak. One of them is good. In the story, a liberal family gathers for Easter weekend in their getaway home on one of the Gulf Islands. Susan and Alan’s adult daughter Clara, who is pursuing post-graduate studies in...
