by Colin Thomas | Jan 30, 2026 | Review
Playwright Mark Crawford’s The Golden Anniversaries is not meanspirited, but it is boring and shallow. It’s Glen and Sandy Golden’s fiftieth anniversary but, about a week ago, Sandy kicked Glen out of the house and declared their marriage over. Now Glen is...
by Colin Thomas | Jan 24, 2026 | Review
In the theatrical concert You’re Just a Place That I Know, singer/songwriter Adrian Glynn McMorran sets out to tell the story of his grandparents’ flight from Ukraine, post-WWII, to Montreal. But he doesn’t really know that story, so the core of this piece is hollow....
by Colin Thomas | Dec 1, 2025 | Review
I suggest a moratorium on adaptations of A Christmas Carol. We’ve had more than enough and some of them are good. In this variation from Victoria’s Wonderheads Theatre, there’s skill on display and some moments work but, as a whole, the evening is boring. The medium...
by Colin Thomas | Nov 8, 2025 | Review
Disney’s Frozen, The Broadway Musical is as commercial and superficial as it sounds. It’s also incoherent, which is worth talking about. Because the show’s symbolism is a mess, it doesn’t make sense thematically. Jennifer Lee based her book for the musical on the...
by Colin Thomas | Sep 13, 2025 | Review
I could not get a bead on Act 1, but I found Act 2 rewarding, which sucks, I guess, for the people who left at intermission. In the theatre, style is often the trickiest thing to get right, and this script exists in a stylistic hall of mirrors. Henrik Ibsen, who wrote...
