by Colin Thomas | Feb 7, 2020 | Review
Carmen Aguirre’s script for Anywhere But Here takes a long time to find its groove but, when it does, it’s thrilling. Really. Although I was ambivalent about the text after the first act, I rocketed out of my seat for the ovation at the end. And the production is...
by Colin Thomas | Jan 31, 2020 | Review
A handful of times during Tanya El Khoury’s sound installation Gardens Speak, I had to slow myself down, to stop, to let the gravity of the information I was receiving land, and to honestly consider my response to it. That means that Gardens Speak was doing its job. ...
by Colin Thomas | Jan 25, 2020 | Review
Old Stock: A Refugee Love Story is equal parts outraged and outrageous, compassionate and hilarious — klezmer concert and play. It’s a fictionalized account of the marriage of playwright Hannah Moscovitch’s great grandparents, Chaim and Chaya, who met in Halifax in...
by Colin Thomas | Jan 25, 2019 | Review
Writer/performer Selina Thompson slams it in salt. (Photo by Dick Davenport) At the beginning of her autobiographical solo show salt., Selina Thompson says, “I’m 28. I’m black. I’m a woman.” I’m 66, white, and a man and those realities will have a huge impact on how I...
by Colin Thomas | Jan 24, 2019 | Review
Dawn Jani Birley makes a compelling Horatio in Prince Hamlet. (Photo by Bronwen Sharp) This Hamlet is like a priceless fabric with a lot of holes in it. Director Ravi Jain has conceived and cast this production with refreshing inclusivity: the players are racially...
