by Colin Thomas | May 24, 2026 | Review
More Dolores Drake, please. Her portrait of Mary Snow in Western Gold Theatre’s production of Salt-Water Moon is excellent. We don’t see enough of her onstage. But Salt-Water Moon is a poetic two-hander and, to sustain its tension, which is a tricky thing to do, you...
by Colin Thomas | May 12, 2025 | Review
Here we go. Where to start? I watched this production three times over a 25-hour period. Here We Go is a short one-act (in three parts) by British playwright Caryl Churchill — about 45 minutes in total. Churchill is one of the smartest playwrights I’ve encountered,...
by Colin Thomas | Nov 9, 2024 | Review
There’s nothing there. I’m not talking about Antarctica; I’m talking about Aidan Dooley’s script for his solo show Tom Crean – Discovering Antarctica. It’s not as though the actual history isn’t rich; a lot happened. Tom Crean, an Irish sailor in the English...
by Colin Thomas | Jun 8, 2024 | Review
This morning, the friend who accompanied me to Super Seniors emailed to say that the show left her feeling good and “That feels like it ought to be a metric for the value of a live theatre event, don’t you think?” Yep. I had a good time at Super Seniors and that...
by Colin Thomas | Nov 17, 2023 | Review
(Photo of Melissa Oei and Tom McBeath by Javier Sotres) There’s a knock on the door. How else could it start? In Henrik Ibsen’s 1879 script A Doll’s House, Nora, the heroine, leaves her suffocating marriage, her husband Torvald, her three young children, and her...
