Kwesi Ameyaw and Shayna Jones (Photo by Moonrider Productions)
For me, the doorway to this production didn’t open until about halfway through. At that point, it became transcendent — intermittently. By the end, I was moved.
In Katori Hall’s 2009 script, she imagines Martin Luther King Jr. in his motel room on April 3, 1968, the night before he was assassinated. The moment a maid named Camae arrives bearing the coffee King has ordered you know she is no ordinary worker: there’s a flash of lightning, a crash of thunder, and the lights in the room flicker. Sure, there’s a storm outside, but we’re in the theatre and cues like this are not accidental. [Read more…]
