
Paul Strickland is a charming guy, but he needs to find his groove in this electronic format for that to come across.
The most interesting thing about watching New-Fangled Fibs: Tall Tales by Paul Strickland is trying to figure out why it doesn’t work.
It’s not like Strickland, who specializes in tall tales, isn’t a talented guy. His show, Ain’t True and Uncle False, which I saw at the Vancouver Fringe in 2017, is one of the highlights of my long theatregoing career.
And, even in New-Fangled Fibs, there are moments of charm. In the story “Chansonaille, Louisiana”, for instance, locals trap “tune bugs” in jars: every bug sings its own note and the goal is to catch a quartet that harmonizes in a major key — not a minor key because that’s unlucky.
So what gives? [Read more…]