Peace Country: Go there

Publicity photo for Peace Country

The stellar cast of Peace Country: Angus Yam, Sofía Rodríguez, Manuela Sosa, Kaitlin Yott, and Sara Vickruck.
(Photo by Pedro Augusto Meza)

Peace Country is a huge accomplishment. I love its urgency, its complexity, its humour — and its weirdness.

Its weirdness — well, its eccentricity — lies in the play’s structure. Pedro Chamale’s new script is set in an area also known as Peace River Country, an aspen forest that stretches from northwestern Alberta to the Rocky Mountains in northeastern BC. Rather than being driven by plot, as most scripts are, Peace Country offers immersion in the relationships of a group of friends who grew up in the Peace and mostly still live there.

It’s set in the near future. A new political party, the British Columbia Environmental Alliance, has swept to power provincially and it’s working to limit the impacts of climate change. The party has canceled the pipeline project that helped to keep the friends’ town afloat. Canfor, the logging giant, has left. Oil-and-gas company Suncor may be next.

So Peace Country is about the tension between the urgent need for long-delayed environmental action and the economic impact of that action on resource-based communities that are too often ignored or demonized in the discussion. [Read more…]

Happy Valley: Great destination, but getting there involves a major detour

publicity photo for Happy Valley

Derek Chan in Happy Valley (Photo by Pedro Augusto Meza)

I won’t give away the confession in Derek Chan’s Happy Valley, but it’s the best part of the script.

In this interdisciplinary solo, Chan sings and recites poetry — often in Cantonese with English surtitles. We also get Cantonese surtitles.

Chan grew up in Hong Kong when it was still a British colony and he refers to the British handover of the territory to China in 1997 as The Apocalypse. In various artistic forms, he tells us that he lost the beloved site of his childhood: he can never go home again and he is both furious and sorrowful. He rails against the feckless British colonizers and the social, political, and criminal abuses of the current Communist overlords. Happy Valley is an agonized expression of dislocation. The song “Swallow” begins, “How much shit can a motherfucker swallow/Before they have to spit?” [Read more…]

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