Next to Normal: more interesting for the local talent than the prize-winning material

Chris Lam has directed Next to Normal.

If you don’t have production shots, I guess a poster will do. 

The cast is talented and the production is musically precise, but Next to Normal is not a well-built musical—despite having won the Pulitzer Prize for Drama in 2010.

Act 1 is mostly boring because the protagonist, a housewife named Diana who has bipolar disorder with psychotic features, is passive. Stuck in her own suffering, she ignores her teenage daughter Natalie. Diana’s relationship with her son is really all about her. Diana dismisses her husband Dan as boring and uncommunicative and, when he tries to help, she sings an angry song in which she tells him that he couldn’t possibly understand the pain she endures.

There’s not a lot to invest in here. Dan says that he was attracted to Diana’s wild spirit, but we never see the beauty and the love that were lost and may be recovered, so how can we care about Diana or her marriage? [Read more…]

Sign up—free!—

YEAH, THIS IS ANNOYING. But my theatre newsletter is fun!

Sign up and get curated international coverage + local reviews every Thursday!