Matilda the Musical: an excellent production of one of my favourites

publicity photo for Matilda the Muscal at TUTS, 2023

Sing out, young star!
(Photo of Siggi Kaldestad on Brian Ball’s set by Emily Cooper)

During the intermission at Matilda the Musical, my partner and I took a little stroll down towards the orchestra pit. And we noticed something: a bunch of the kids in the audience were already writing their reviews of the show — with their bodies. I saw a very little girl turn a somersault, then beam with delight — and surprise. A slightly older girl was turning cartwheels for her astonished relatives, who were saying things like, “I had no idea you could do that!” And another kid was frog-hopping through the crowd just because. That’s what inspiration looks like. These kids were running on the high of seeing young ‘uns like themselves on the stage, dancing acrobatically, performing their socks off, and loving it.

And, of course, respect for kids is what Roald Dahl’s Matilda the Musical, which is how the piece is formally known, is all about.

In the story, nine-year-old Matilda’s parents are relentlessly mean to her because she’s a girl and because she reads.Matilda’s dad, Mr. Wormwood, insists on calling her a boy. And her peroxided mom complains, “It’s not normal for a girl to be all thinking.” Fortunately, Matilda finds allies in the local librarian Miss Phelps, and in a teacher at her new school, Miss Honey. But there’s also a new villain, the school’s headmistress, Miss Trunchbull, a former hammer thrower who refers to children as maggots.

Yes, there’s horror in this. But it’s the delicious kind. The girl sitting with her dad in front of us — about nine years old and clearly a Matilda connoisseur — was relishing every minute of it. And with good reason. The evil characters are so broad that they’re fun. When Miss Honey tries to stop Miss Trunchbull from pulling a little guy’s ears, for instance, Trunchbull replies, “I have discovered, Miss Honey, that the ears of small boys don’t come off. They stretch.” And, onstage, they do stretch — like Silly Putty. Kids love grossness and cartoon monsters. And, like adults, they need to master fear. Besides, we all have faith in Matilda.

[Read more…]

Matilda the Musical survives its director

The Arts Club is presenting Matilda the Musical at the Stanley.

This girl, Thailey Roberge, is one of the best reasons to see Matilda at the Arts Clubs. There are also reasons not to. (Photo by David Cooper)

Matilda the Musical survives Daryl Cloran’s direction, even though he makes a good stab at bludgeoning it to death. [Read more…]

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